Freddy's Dead: The Final Nightmare
I'm really starting to regret my decision to watch some of these movies. Although this is a step up from the previous installment, it's not as good as I remember.
( note: This was originally intended to end the series, and in a way, it was the last film to follow a linear progression, so for all intents and purposes, I am going to treat this film like it is the last.)
Some Background: The film was released in September of 1991, and the popular slasher franchises of the eighties were not dying gracefully. Audiences were losing interest in the quickly, poorly made sequels. Both juggernauts, Nightmare and Friday hadn't released a film since the summer of '89 (if anyone doesn't know, this was the summer that defined the summer blockbuster). Over two years; this is the longest gap in either franchise's history. New Line Cinema decided to give these once great franchises a proper (somewhat) sendoff.
In August, Jason Goes to Hell premiered and was unlike any other Friday film (I'm not going to go into how or if it worked). The following month, Freddy's Dead premiered with a similar departure. Twin Peaks was huge at the time, and it has been cited many times (even referenced in the film itself) for the strangeness of the plot and the humor.
What I Liked: At the time, it was cool because they did something a little different. Everyone was tired of the slasher formula. This took place ten years in the future, where there are no children left in the town of Springwood. It had some (alhough goofy) memorable death scenes: the blackboard-scratching, the power glove. There were some great cameos: Rosanne and Tom Arnold were great. Johnny Depp came back to the franchise that launched his career for a hilarious scene. Alice Cooper was Freddy's abusive father. A young Boba Fette, Breckin Meyer was in it. This film also has probably my most quoted Nightmare phrase: The map says we're fucked.
What I Didn't Like: Although said death's were funny, Freddy's personality was becoming bland, and really was on the decline since the third film. Then they decide to reveal Freddy's nonsensical and muddled origin during the final fifteen minutes in a 3D (Apparently, the technology existed before last year. Weird) segment.
What the Fuck: First we see Freddy as a young boy, playing with a hamster in class. So I guess he wasn't always evil. But no. It's cool, because he only took it out to smash it with a hammer. Awesome. He's well on his way to becoming a serial killer. And then instead of being horrified that a student smashed a hamster, his class makes fun of him because his mother was raped by a hundred maniacs. Also awesome.
When he's a teenager, Freddy is found cutting himself before his drunken stepfather beats him. I guess he's a victim. Oh, wait. No he's not. He doesn't feel pain, and murders his stepfather. Cool. Then as an adult, Freddy has a family and a house with a picket fence. How perfect. But then his bitch wife discovers his forbidden murder basement, so he has to kill her. But it's OK, because Freddy loves his daughter?
Then, right before Freddy is murdered, these dream-sperm demons that have been around since the beginning of time are like, "Hey. You're the most evil guy ever. Can we chill with you?" And Freddy's like, "Yeah." So they go in him and that's where he got his dream powers.
What Kills Freddy: (I realized that I forgot this part in my last review. I went back and added that if you want to check it out) Freddy's daughter put dynamite in his pants. Who'da thunk it?
Thursday, September 30, 2010
Monday, September 27, 2010
I can't belive I almost forgot about this
I was very busy a couple week ago, and this totally slipped my mind, but Chunklet Magazine is self-publishing their new book, The Indie Cred Test and needs donations if it's going to happen. Now, I know your thinking, "Donating shit's fucking stupid," but if you donate $15 or more, you get (along with other stuff) a copy of the book. So it's kind of like a a pre-order. I know you've pre-ordered things before. So think of this as a pre-order that helps what you're ordering get released.
Also, I am not only asking you to donate on Chunklet's behalf, but also my own. I contributed some of the jokes that are going to be used in the book, so I would really also like it to come out for personal reasons. This isn't like I'm just excited about some forthcoming X-Men comic or something. I've seen a lot of it, and can tell you that it's pretty funny.
If that hasn't convinced you, here's a funny video that Henry made:
If that's not enough, here's some free music/comedy. It's a download of of Melvins/Patton Oswalt split 7" that Chunklet released a few years back:
Go here to donate:
http://www.kickstarter.com/projects/chunklet/the-indie-cred-test-presented-by-chunklet-magazine
Sunday, September 26, 2010
Wednesday, September 22, 2010
Five
The Dream Child
I can't exactly explain why, but this movie is just awful. Unlike the second film, this one follows the paradigm of the previous installments. It just fails on so many levels. It's almost OK. Really. The badness is kind of subtle. Why doesn't it work:
There's a little kid in it. Role Models is the exception. Apart from that, little kids tend to make movies suck. Also, why is the unborn Jacob like a five year old kid in dream world? He's an unborn foetus. Everyone else retains their appearance in dreams. If Jacob can make himself older, why not an adult instead of an annoying little kid? Personally, I think that I would like to see a movie with Freddy palling around with a foetus (Someone call Platinum Dunes. I've got a treatment for Nightmare on Elm Street 2).
The kids are adults. They're college graduates. They're too old too even be a part of some sort of sorority house massacre. I'm not sure why, but it only works when teenagers are getting murdered (probably why Platinum Dunes rejected my Texas Chainsaw Massacre 2: Baby Meat script).
Low Body Count. Like three. Which is unacceptable for a slasher movie in 1989. I guess it tries to build suspense, which I normally prefer, but this just comes across as boring.
I'm not sure how I feel about Freddy's demise in this film, but it is pretty wild. Freddy gives Jacob power, so Jacob vomits on Freddy causing this movie's souls pop out of his chest, thus turning Freddy into a foetus so that Amanda can put him back in her womb before his claw pops out of her stomach. It's not really established in the film anywhere, but I it makes Jacob powerful, so I guess it makes sense.
I can't exactly explain why, but this movie is just awful. Unlike the second film, this one follows the paradigm of the previous installments. It just fails on so many levels. It's almost OK. Really. The badness is kind of subtle. Why doesn't it work:
There's a little kid in it. Role Models is the exception. Apart from that, little kids tend to make movies suck. Also, why is the unborn Jacob like a five year old kid in dream world? He's an unborn foetus. Everyone else retains their appearance in dreams. If Jacob can make himself older, why not an adult instead of an annoying little kid? Personally, I think that I would like to see a movie with Freddy palling around with a foetus (Someone call Platinum Dunes. I've got a treatment for Nightmare on Elm Street 2).
The kids are adults. They're college graduates. They're too old too even be a part of some sort of sorority house massacre. I'm not sure why, but it only works when teenagers are getting murdered (probably why Platinum Dunes rejected my Texas Chainsaw Massacre 2: Baby Meat script).
Low Body Count. Like three. Which is unacceptable for a slasher movie in 1989. I guess it tries to build suspense, which I normally prefer, but this just comes across as boring.
I'm not sure how I feel about Freddy's demise in this film, but it is pretty wild. Freddy gives Jacob power, so Jacob vomits on Freddy causing this movie's souls pop out of his chest, thus turning Freddy into a foetus so that Amanda can put him back in her womb before his claw pops out of her stomach. It's not really established in the film anywhere, but I it makes Jacob powerful, so I guess it makes sense.
Labels:
movies,
music,
nightmare on elm st,
schooly d,
video
Tuesday, September 21, 2010
Book of the Week
I read some comics today, and there were a few that I really liked. I'm bringing this column back for some quick reviews.
8-25-10
Fantastic Four 582
Marvel
No. I won't shut up about this book. It keeps getting better and better.
9-1-10
Scarlet 2
Icon/Marvel
I also talked about this book last month. The second issue didn't disappoint.
9-9-10
American Vampire 6
Vertigo/DC
I'm really glad with the way this issue turned out. Even though there's no doubt that the Stephen King story greatly increased sales, I think it really hurt the book's pacing. It was tough to get into this series with each issue split into two 16-page stories. I really liked this issue.
runner up
Booster Gold 36
DC
I really love the direction this book is going in. It's the only DC-proper title that I'm reading. I hate what they've done with the DCU in recent years. So it really surprises me that even though Booster deals with these plot lines, it does so in a funny and sad self-aware kind of a way that's really amazing.
8-25-10
Fantastic Four 582
Marvel
No. I won't shut up about this book. It keeps getting better and better.
9-1-10
Scarlet 2
Icon/Marvel
I also talked about this book last month. The second issue didn't disappoint.
9-9-10
American Vampire 6
Vertigo/DC
I'm really glad with the way this issue turned out. Even though there's no doubt that the Stephen King story greatly increased sales, I think it really hurt the book's pacing. It was tough to get into this series with each issue split into two 16-page stories. I really liked this issue.
runner up
Booster Gold 36
DC
I really love the direction this book is going in. It's the only DC-proper title that I'm reading. I hate what they've done with the DCU in recent years. So it really surprises me that even though Booster deals with these plot lines, it does so in a funny and sad self-aware kind of a way that's really amazing.
Labels:
american vampire,
book of the week,
booster gold,
comics,
dc,
fantastic four,
icon,
marvel,
scarlet,
vertigo
Saturday, September 18, 2010
Thursday, September 16, 2010
Rated R
(the R is for "Retarded")
You may or may not know that I love movies. I mean, who doesn't, right? Anyway, I know that the multiplexes are always filled with garbage movies, but I was watching late night TV last night, and I noticed that there are a lot of movie coming out soon that my response was "This? Really?" after watching the commercial. So this is my new movie rant, complete with trailers:
This movie doesn't really belong here with the others, but I saw it last week and have been meaning to say something about it, but have not had any time to do so. Anyway, it's great. It exceeded all my expectations (which were high). Possibly better than Planet Terror.
The first film in M Night Shyamalan's horror trilogy, The Night Chronicles. I have to admit: I do want to see this movie even though I know it's going to be terrible. Mostly because I have trouble resisting any movie that references apes or Satan/Hell in the title. And it does look interesting. I actually like Shyamalan as a director. Aesthetically, I think his movies are great. I just think he's a terrible writer. I love The Twilight Zone, but I love it as the Twilight Zone. It doesn't need a revival.
Why Devil Might Not Be Bad: Shyamalan really didn't do much with this movie. He has story credit, but the screenplay and director credits go to virtual newcomers. Also, screenwriter, Brian Nelson worked with David Slade on Hard Candy and 30 Days of Night, which were both pretty solid films.
By the way, this is by no means a spoiler-free website. Feel free to post the twist in comments.
Hammer Studios makes it's return with this English language remake. Maybe it's just me, but it seems like the remake just misses the point of why this was such a great movie, and just looks like any other shitty remake.
But I think my biggest problem is the title change from Let the Right One In. It just lacks elegance. The producers thought that the origianl title was too long for American audiences. I'm sure they know more than me about marketing, but what? Do they think that someone's going to walk up to the box office:
"I'll have two for Let the...Let's Write..Right the Left One...Fuck it. Harry Potter."
Why Let Me In Might Not Be Bad: I guess the shitty looking trailer could just be for marketing purposes. It's happened before. You have to appeal to teeny-boppers and Middle America.
A Facebook movie? Seriously? Fuck you, David Fincher. What? You couldn't get the rights to make an edgy Gmail movie? Does anyone still like this guy? Seriously, he made like one really good movie. Oh, and before I forget: Fuck you too, Aaron Sorkin.
Why Social Network Might Not Be Bad: Fuck. I don't know. At least it's not Chris Nolan.
This looks kind of cool, but didn't they just remake A Nightmare on Elm Street (which I am working my way towards. i should get my 5 review up soon) a few months ago? A dead killer killing kids? Dream stuff? Even the shot with the hand coming out over the bed? It looks just like Nightmare.
Why My Soul To Take Might Not Be Bad: I know it was a really long time ago, but the man did make The Hills Have Eyes.
You may or may not know that I love movies. I mean, who doesn't, right? Anyway, I know that the multiplexes are always filled with garbage movies, but I was watching late night TV last night, and I noticed that there are a lot of movie coming out soon that my response was "This? Really?" after watching the commercial. So this is my new movie rant, complete with trailers:
This movie doesn't really belong here with the others, but I saw it last week and have been meaning to say something about it, but have not had any time to do so. Anyway, it's great. It exceeded all my expectations (which were high). Possibly better than Planet Terror.
The first film in M Night Shyamalan's horror trilogy, The Night Chronicles. I have to admit: I do want to see this movie even though I know it's going to be terrible. Mostly because I have trouble resisting any movie that references apes or Satan/Hell in the title. And it does look interesting. I actually like Shyamalan as a director. Aesthetically, I think his movies are great. I just think he's a terrible writer. I love The Twilight Zone, but I love it as the Twilight Zone. It doesn't need a revival.
Why Devil Might Not Be Bad: Shyamalan really didn't do much with this movie. He has story credit, but the screenplay and director credits go to virtual newcomers. Also, screenwriter, Brian Nelson worked with David Slade on Hard Candy and 30 Days of Night, which were both pretty solid films.
By the way, this is by no means a spoiler-free website. Feel free to post the twist in comments.
Hammer Studios makes it's return with this English language remake. Maybe it's just me, but it seems like the remake just misses the point of why this was such a great movie, and just looks like any other shitty remake.
But I think my biggest problem is the title change from Let the Right One In. It just lacks elegance. The producers thought that the origianl title was too long for American audiences. I'm sure they know more than me about marketing, but what? Do they think that someone's going to walk up to the box office:
"I'll have two for Let the...Let's Write..Right the Left One...Fuck it. Harry Potter."
Why Let Me In Might Not Be Bad: I guess the shitty looking trailer could just be for marketing purposes. It's happened before. You have to appeal to teeny-boppers and Middle America.
A Facebook movie? Seriously? Fuck you, David Fincher. What? You couldn't get the rights to make an edgy Gmail movie? Does anyone still like this guy? Seriously, he made like one really good movie. Oh, and before I forget: Fuck you too, Aaron Sorkin.
Why Social Network Might Not Be Bad: Fuck. I don't know. At least it's not Chris Nolan.
This looks kind of cool, but didn't they just remake A Nightmare on Elm Street (which I am working my way towards. i should get my 5 review up soon) a few months ago? A dead killer killing kids? Dream stuff? Even the shot with the hand coming out over the bed? It looks just like Nightmare.
Why My Soul To Take Might Not Be Bad: I know it was a really long time ago, but the man did make The Hills Have Eyes.
Saturday, September 11, 2010
Sunday, September 5, 2010
LOST Stuff
This is something I found with some pretty interesting stuff in this. It came from Jon Mankuta. There are some punctuation problems with pasting text that I could fix, but am too lazy to. Deal with it:
This was posted by a Writer from Bad Robot that worked on lost (not by me
in any way)…
First … The Island:
It was real. Everything that happened on the island that we saw throughout
the 6 seasons was real. Forget the final image of the plane crash, it was
put in purposely to f*&k with people’s heads and show how far the show had
come. They really crashed. They really survived. They really discovered
Dharma and the Others. The Island keeps the balance of good and evil in the
world. It always has and always will perform that role. And the Island will
always need a “Protector�. Jacob wasn’t the first, Hurley won’t be the
last. However, Jacob had to deal with a malevolent force (MIB) that his mother,
nor Hurley had to deal with. He created the devil and had to find a way to
kill him — even though the rules prevented him from actually doing so.
Thus began Jacob’s plan to bring candidates to the Island to do the one
thing he couldn’t do. Kill the MIB. He had a huge list of candidates that
spanned generations. Yet everytime he brought people there, the MIB corrupted
them and caused them to kill one another. That was until Richard came along
and helped Jacob understand that if he didn’t take a more active role, then
his plan would never work.
Enter Dharma — which I’m not sure why John is having such a hard time
grasping. Dharma, like the countless scores of people that were brought to the
island before, were brought there by Jacob as part of his plan to kill the
MIB. However, the MIB was aware of this plan and interferred by “corrupting�
Ben. Making Ben believe he was doing the work of Jacob when in reality he
was doing the work of the MIB. This carried over into all of Ben’s “
off-island� activities. He was the leader. He spoke for Jacob as far as they
were concerned. So the “Others� killed Dharma and later were actively trying
to kill Jack, Kate, Sawyer, Hurley and all the candidates because that’s
what the MIB wanted. And what he couldn’t do for himself.
Dharma was originally brought in to be good. But was turned bad by MIB’s
corruption and eventually destroyed by his pawn Ben.
Now, was Dharma only
brought there to help Jack and the other Canditates on their overall quest to
kill Smokey? Or did Jacob have another list of Canidates from the Dharma
group that we were never aware of? That’s a question that is purposley not
answered because whatever answer the writers came up with would be worse than
the one you come up with for yourself. Still … Dharma’s purpose is not “
pointless� or even vague. Hell, it’s pretty blantent.
Still, despite his grand plan, Jacob wanted to give his “candidates� (our
Lostaways) the one thing he, nor his brother, were ever afforded: free
will. Hence him bringing a host of “candidates� through the decades and
letting them “choose� which one would actually do the job in the end. Maybe he
knew Jack would be the one to kill Flocke and that Hurley would be the
protector in the end. Maybe he didn’t. But that was always the key question of
the show: Fate vs Free-will. Science vs Faith. Personally I think Jacob knew
from the beginning what was going to happen and that everyone played a
part over 6 seasons in helping Jack get to the point where he needed to be to
kill Smokey and make Hurley the protector — I know that’s how a lot of the
writers viewed it. But again, they won’t answer that (nor should they)
because that ruins the fun.
In the end, Jack got to do what he always wanted to do from the very first
episode of the show: Save his fellow Lostaways. He got Kate and Sawyer off
the island and he gave Hurley the purpose in life he’d always been missing.
And, in Sideways world (which we’ll get to next) he in fact saved everyone
by helping them all move on …
Now…
Sideways World:
Sideways world is where it gets really cool in terms of theology and
metaphysical discussion (for me at least — because I love history/religion
theories and loved all the talks in the writer’s room about it). Basically what
the show is proposing is that we’re all linked to certain people during our
lives. Call them soulmates (though it’s not exactly the best word). But
these people we’re linked to are with us duing “the most important moments of
our lives� as Christian said. These are the people we move through the
universe with from lifetime to lifetime. It’s loosely based in Hinduisim with
large doses of western religion thrown into the mix.
The conceit that the writers created, basing it off these religious
philosophies, was that as a group, the Lostaways subconsciously created this “
sideways� world where they exist in purgatory until they are “awakened� and
find one another. Once they all find one another, they can then move on and
move forward. In essence, this is the show’s concept of the afterlife.
According to the show, everyone creates their own “Sideways� purgatory with
their “soulmates� throughout their lives and exist there until they all move
on together. That’s a beautiful notion. Even if you aren’t religious or
even spirtual, the idea that we live AND die together is deeply profound and
moving.
It’s a really cool and spirtual concept that fits the whole tone and
subtext the show has had from the beginning. These people were SUPPOSED to be
together on that plane. They were supposed to live through these events — not
JUST because of Jacob. But because that’s what the universe or God
(depending on how religious you wish to get) wanted to happen. The show was always
about science vs faith — and it ultimately came down on the side of faith.
It answered THE core question of the series. The one question that has been
at the root of every island mystery, every character backstory, every plot
twist. That, by itself, is quite an accomplishment.
How much you want to extrapolate from that is up to you as the viewer.
Think about season 1 when we first found the Hatch. Everyone thought that’s THE
answer! Whatever is down there is the answer! Then, as we discovered it
was just one station of many. One link in a very long chain that kept
revealing more, and more of a larger mosiac.
But the writer’s took it even further this season by contrasting this
Sideways “purgatory� with the Island itself. Remember when Michael appeared to
Hurley, he said he was not allowed to leave the Island. Just like the MIB.
He wasn’t allowed into this sideways world and thus, was not afforded the
opportunity to move on. Why? Because he had proven himself to be unworthy
with his actions on the Island. He failed the test. The others, passed. They
made it into Sideways world when they died — some before Jack, some years
later. In Hurley’s case, maybe centuries later. They exist in this sideways
world until they are “awakened� and they can only move on TOGETHER because
they are linked. They are destined to be together for eternity. That was
their destiny.
They were NOT linked to Anna Lucia, Daniel, Roussou, Alex, Miles, Lupidis,
(and all the rest who weren’t in the chuch — basically everyone who wasn’t
in season 1). Yet those people exist in Sideways world. Why? Well again,
here’s where they leave it up to you to decide. The way I like to think
about it, is that those people who were left behind in Sideways world have to
find their own soulmates before they can wake up. It’s possible that those
links aren’t people from the island but from their other life (Anna’s
parnter, the guy she shot — Roussou’s husband, etc etc).
A lot of people have been talking about Ben and why he didn’t go into the
Church. And if you think of Sideways world in this way, then it gives you
the answer to that very question. Ben can’t move on yet because he hasn’t
connected with the people he needs to. It’s going to be his job to awaken
Roussou, Alex, Anna Lucia (maybe), Ethan, Goodspeed, his father and the rest.
He has to attone for his sins more than he did by being Hurley’s number
two. He has to do what Hurley and Desmond did for our Lostaways with his own
people. He has to help them connect. And he can only move on when all the
links in his chain are ready to. Same can be said for Faraday, Charlotte,
Whidmore, Hawkins etc. It’s really a neat, and cool concept. At least to me.
But, from a more “behind the scenes� note: the reason Ben’s not in the
church, and the reason no one is in the church but for Season 1 people is
because they wrote the ending to the show after writing the pilot. And never
changed it. The writers always said (and many didn’t believe them) that they
knew their ending from the very first episode. I applaud them for that. It’
s pretty fantastic. Originally Ben was supposed to have a 3 episode arc and
be done. But he became a big part of the show. They could have easily
changed their ending and put him in the church — but instead they problem
solved it. Gave him a BRILLIANT moment with Locke outside the church … and then
that was it. I loved that. For those that wonder — the original ending
started the moment Jack walked into the church and touches the casket to Jack
closing his eyes as the other plane flies away. That was always JJ’s ending.
And they kept it.
For me the ending of this show means a lot. Not only because I worked on
it, but because as a writer it inspired me in a way the medium had never done
before. I’ve been inspired to write by great films. Maybe too many to
count. And there have been amazing TV shows that I’ve loved (X-Files, 24,
Sopranos, countless 1/2 hour shows). But none did what LOST did for me. None
showed me that you could take huge risks (writing a show about faith for
network TV) and stick to your creative guns and STILL please the audience. I
learned a lot from the show as a writer. I learned even more from being around
the incredible writers, producers, PAs, interns and everyone else who
slaved on the show for 6 years.
In the end, for me, LOST was a touchstone show that dealt with faith, the
afterlife, and all these big, spirtual questions that most shows don’t
touch. And to me, they never once waivered from their core story — even with all
the sci-fi elements they mixed in. To walk that long and daunting of a
creative tightrope and survive is simply astounding.
This was posted by a Writer from Bad Robot that worked on lost (not by me
in any way)…
First … The Island:
It was real. Everything that happened on the island that we saw throughout
the 6 seasons was real. Forget the final image of the plane crash, it was
put in purposely to f*&k with people’s heads and show how far the show had
come. They really crashed. They really survived. They really discovered
Dharma and the Others. The Island keeps the balance of good and evil in the
world. It always has and always will perform that role. And the Island will
always need a “Protector�. Jacob wasn’t the first, Hurley won’t be the
last. However, Jacob had to deal with a malevolent force (MIB) that his mother,
nor Hurley had to deal with. He created the devil and had to find a way to
kill him — even though the rules prevented him from actually doing so.
Thus began Jacob’s plan to bring candidates to the Island to do the one
thing he couldn’t do. Kill the MIB. He had a huge list of candidates that
spanned generations. Yet everytime he brought people there, the MIB corrupted
them and caused them to kill one another. That was until Richard came along
and helped Jacob understand that if he didn’t take a more active role, then
his plan would never work.
Enter Dharma — which I’m not sure why John is having such a hard time
grasping. Dharma, like the countless scores of people that were brought to the
island before, were brought there by Jacob as part of his plan to kill the
MIB. However, the MIB was aware of this plan and interferred by “corrupting�
Ben. Making Ben believe he was doing the work of Jacob when in reality he
was doing the work of the MIB. This carried over into all of Ben’s “
off-island� activities. He was the leader. He spoke for Jacob as far as they
were concerned. So the “Others� killed Dharma and later were actively trying
to kill Jack, Kate, Sawyer, Hurley and all the candidates because that’s
what the MIB wanted. And what he couldn’t do for himself.
Dharma was originally brought in to be good. But was turned bad by MIB’s
corruption and eventually destroyed by his pawn Ben.
Now, was Dharma only
brought there to help Jack and the other Canditates on their overall quest to
kill Smokey? Or did Jacob have another list of Canidates from the Dharma
group that we were never aware of? That’s a question that is purposley not
answered because whatever answer the writers came up with would be worse than
the one you come up with for yourself. Still … Dharma’s purpose is not “
pointless� or even vague. Hell, it’s pretty blantent.
Still, despite his grand plan, Jacob wanted to give his “candidates� (our
Lostaways) the one thing he, nor his brother, were ever afforded: free
will. Hence him bringing a host of “candidates� through the decades and
letting them “choose� which one would actually do the job in the end. Maybe he
knew Jack would be the one to kill Flocke and that Hurley would be the
protector in the end. Maybe he didn’t. But that was always the key question of
the show: Fate vs Free-will. Science vs Faith. Personally I think Jacob knew
from the beginning what was going to happen and that everyone played a
part over 6 seasons in helping Jack get to the point where he needed to be to
kill Smokey and make Hurley the protector — I know that’s how a lot of the
writers viewed it. But again, they won’t answer that (nor should they)
because that ruins the fun.
In the end, Jack got to do what he always wanted to do from the very first
episode of the show: Save his fellow Lostaways. He got Kate and Sawyer off
the island and he gave Hurley the purpose in life he’d always been missing.
And, in Sideways world (which we’ll get to next) he in fact saved everyone
by helping them all move on …
Now…
Sideways World:
Sideways world is where it gets really cool in terms of theology and
metaphysical discussion (for me at least — because I love history/religion
theories and loved all the talks in the writer’s room about it). Basically what
the show is proposing is that we’re all linked to certain people during our
lives. Call them soulmates (though it’s not exactly the best word). But
these people we’re linked to are with us duing “the most important moments of
our lives� as Christian said. These are the people we move through the
universe with from lifetime to lifetime. It’s loosely based in Hinduisim with
large doses of western religion thrown into the mix.
The conceit that the writers created, basing it off these religious
philosophies, was that as a group, the Lostaways subconsciously created this “
sideways� world where they exist in purgatory until they are “awakened� and
find one another. Once they all find one another, they can then move on and
move forward. In essence, this is the show’s concept of the afterlife.
According to the show, everyone creates their own “Sideways� purgatory with
their “soulmates� throughout their lives and exist there until they all move
on together. That’s a beautiful notion. Even if you aren’t religious or
even spirtual, the idea that we live AND die together is deeply profound and
moving.
It’s a really cool and spirtual concept that fits the whole tone and
subtext the show has had from the beginning. These people were SUPPOSED to be
together on that plane. They were supposed to live through these events — not
JUST because of Jacob. But because that’s what the universe or God
(depending on how religious you wish to get) wanted to happen. The show was always
about science vs faith — and it ultimately came down on the side of faith.
It answered THE core question of the series. The one question that has been
at the root of every island mystery, every character backstory, every plot
twist. That, by itself, is quite an accomplishment.
How much you want to extrapolate from that is up to you as the viewer.
Think about season 1 when we first found the Hatch. Everyone thought that’s THE
answer! Whatever is down there is the answer! Then, as we discovered it
was just one station of many. One link in a very long chain that kept
revealing more, and more of a larger mosiac.
But the writer’s took it even further this season by contrasting this
Sideways “purgatory� with the Island itself. Remember when Michael appeared to
Hurley, he said he was not allowed to leave the Island. Just like the MIB.
He wasn’t allowed into this sideways world and thus, was not afforded the
opportunity to move on. Why? Because he had proven himself to be unworthy
with his actions on the Island. He failed the test. The others, passed. They
made it into Sideways world when they died — some before Jack, some years
later. In Hurley’s case, maybe centuries later. They exist in this sideways
world until they are “awakened� and they can only move on TOGETHER because
they are linked. They are destined to be together for eternity. That was
their destiny.
They were NOT linked to Anna Lucia, Daniel, Roussou, Alex, Miles, Lupidis,
(and all the rest who weren’t in the chuch — basically everyone who wasn’t
in season 1). Yet those people exist in Sideways world. Why? Well again,
here’s where they leave it up to you to decide. The way I like to think
about it, is that those people who were left behind in Sideways world have to
find their own soulmates before they can wake up. It’s possible that those
links aren’t people from the island but from their other life (Anna’s
parnter, the guy she shot — Roussou’s husband, etc etc).
A lot of people have been talking about Ben and why he didn’t go into the
Church. And if you think of Sideways world in this way, then it gives you
the answer to that very question. Ben can’t move on yet because he hasn’t
connected with the people he needs to. It’s going to be his job to awaken
Roussou, Alex, Anna Lucia (maybe), Ethan, Goodspeed, his father and the rest.
He has to attone for his sins more than he did by being Hurley’s number
two. He has to do what Hurley and Desmond did for our Lostaways with his own
people. He has to help them connect. And he can only move on when all the
links in his chain are ready to. Same can be said for Faraday, Charlotte,
Whidmore, Hawkins etc. It’s really a neat, and cool concept. At least to me.
But, from a more “behind the scenes� note: the reason Ben’s not in the
church, and the reason no one is in the church but for Season 1 people is
because they wrote the ending to the show after writing the pilot. And never
changed it. The writers always said (and many didn’t believe them) that they
knew their ending from the very first episode. I applaud them for that. It’
s pretty fantastic. Originally Ben was supposed to have a 3 episode arc and
be done. But he became a big part of the show. They could have easily
changed their ending and put him in the church — but instead they problem
solved it. Gave him a BRILLIANT moment with Locke outside the church … and then
that was it. I loved that. For those that wonder — the original ending
started the moment Jack walked into the church and touches the casket to Jack
closing his eyes as the other plane flies away. That was always JJ’s ending.
And they kept it.
For me the ending of this show means a lot. Not only because I worked on
it, but because as a writer it inspired me in a way the medium had never done
before. I’ve been inspired to write by great films. Maybe too many to
count. And there have been amazing TV shows that I’ve loved (X-Files, 24,
Sopranos, countless 1/2 hour shows). But none did what LOST did for me. None
showed me that you could take huge risks (writing a show about faith for
network TV) and stick to your creative guns and STILL please the audience. I
learned a lot from the show as a writer. I learned even more from being around
the incredible writers, producers, PAs, interns and everyone else who
slaved on the show for 6 years.
In the end, for me, LOST was a touchstone show that dealt with faith, the
afterlife, and all these big, spirtual questions that most shows don’t
touch. And to me, they never once waivered from their core story — even with all
the sci-fi elements they mixed in. To walk that long and daunting of a
creative tightrope and survive is simply astounding.
Friday, September 3, 2010
Four, Better Lock Your Door
The Dream Master
If there was ever a Freddy blockbuster, this is it. There's not much plot, not much character, but there is a steep body count, and the aesthetics are fucking amazing.
The dream imagery is very vivid. The unnatural bright colors really convey that something is wrong under the facade of a nice suburb. It's almost got a David Lynch quality of a modern setting with these Fifties-looking buildings and cars.
I really can't call it my favorite due to lack of tension and plot and such, but it's probably the most fun of the series. The dream sequences are the more stream of consciousness kind of surreal than any of the others; the junkyard scene here the whole world is claustrophobically covered in cars, the pizza scene in the diner, all the long organic spinning hallways, the bug scene, the time loop, and the car crash. It's all amazing, and it all really scares me on a subconscious visual level.
But my favorite scene, the one that I still dream about (and didn't completely realize what I was dreaming of until last week), is the Purple Rose of Cairo scene. I really love everything about this scene. The green light at the box office is just so subtly creepy. Alice walks into an old grandiose theatre and sits on the balcony and watches an old black and white movie with all the dead kids. Then the movie turns into the diner and she gets sucked in while everyone else is unaffected. From the diner, she sees herself (in color) asleep in her chair. The the doors shut, the diner is now in color, and we're in a completely different dream.
Do you get how much I love the visuals of this movie? Now let's talk about the plot. The first third of film consists of Freddy finishing off the remaining kids from the last movie. So I guess what happens between Nightmare 3 and 4 is that after most kids institutionalized in Westin Hills (and one of their therapists) die, the remaining kids are released and they all go to the same high school. This implies that they all lived in the same town, even though they didn't know each other when they were committed. Either that, or their parents decided to all move into the same town after the kids were released.
Also, Kristen gives Alice her Dream Warrior powers as she's dying. Why would she do this? With Kristen dead, Freddy wouldn't be able to get more children without having her pull kids into her dream. And why would Freddy kill Kristen at this point? How did he know that she would give her powers to Alice? He could have fucked himself.
And then, as people die, Alice is supposed to get their powers. But really, she just knows Karate, gets the nerd girl's bug thing (which is an object; not a power), and says everyone's catch phrases. And that really doesn't help her stop Freddy anyway. When Alice finally goes through the looking glass to confront Freddy, these powers pretty much lead to a stalemate. She defeats him by hearing that Dream Master poem and holds up a piece of glass so that Freddy sees himself and explodes; possibly the lamest Freddy death yet.
I didn't really know how to fit this in, but I figured that I should also mention that the screenplay was co-written by Brian Helgeland and Linnea Quigley's boobs are in Freddy.
If there was ever a Freddy blockbuster, this is it. There's not much plot, not much character, but there is a steep body count, and the aesthetics are fucking amazing.
The dream imagery is very vivid. The unnatural bright colors really convey that something is wrong under the facade of a nice suburb. It's almost got a David Lynch quality of a modern setting with these Fifties-looking buildings and cars.
I really can't call it my favorite due to lack of tension and plot and such, but it's probably the most fun of the series. The dream sequences are the more stream of consciousness kind of surreal than any of the others; the junkyard scene here the whole world is claustrophobically covered in cars, the pizza scene in the diner, all the long organic spinning hallways, the bug scene, the time loop, and the car crash. It's all amazing, and it all really scares me on a subconscious visual level.
But my favorite scene, the one that I still dream about (and didn't completely realize what I was dreaming of until last week), is the Purple Rose of Cairo scene. I really love everything about this scene. The green light at the box office is just so subtly creepy. Alice walks into an old grandiose theatre and sits on the balcony and watches an old black and white movie with all the dead kids. Then the movie turns into the diner and she gets sucked in while everyone else is unaffected. From the diner, she sees herself (in color) asleep in her chair. The the doors shut, the diner is now in color, and we're in a completely different dream.
Do you get how much I love the visuals of this movie? Now let's talk about the plot. The first third of film consists of Freddy finishing off the remaining kids from the last movie. So I guess what happens between Nightmare 3 and 4 is that after most kids institutionalized in Westin Hills (and one of their therapists) die, the remaining kids are released and they all go to the same high school. This implies that they all lived in the same town, even though they didn't know each other when they were committed. Either that, or their parents decided to all move into the same town after the kids were released.
Also, Kristen gives Alice her Dream Warrior powers as she's dying. Why would she do this? With Kristen dead, Freddy wouldn't be able to get more children without having her pull kids into her dream. And why would Freddy kill Kristen at this point? How did he know that she would give her powers to Alice? He could have fucked himself.
And then, as people die, Alice is supposed to get their powers. But really, she just knows Karate, gets the nerd girl's bug thing (which is an object; not a power), and says everyone's catch phrases. And that really doesn't help her stop Freddy anyway. When Alice finally goes through the looking glass to confront Freddy, these powers pretty much lead to a stalemate. She defeats him by hearing that Dream Master poem and holds up a piece of glass so that Freddy sees himself and explodes; possibly the lamest Freddy death yet.
I didn't really know how to fit this in, but I figured that I should also mention that the screenplay was co-written by Brian Helgeland and Linnea Quigley's boobs are in Freddy.
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