A Whole Nother New World

I'm going to reiterate that Marvel really does have the top artists working for them. Avengers one is absolutely beautiful. I've followed Opena through Ghost Rider and X-Force and he really keeps improving. Another cool thing is that it has a layout similar to Hickman's Image books which is kind of interesting that a writer has his own recognizable visual aesthetic. The script is solid, but pales in comparison to Hickman's creator-owned work. If I'm going to recommend you buy a book that he's writing, it would be Manhattan Projects. 

The last few pages seem somewhat rushed to move along the plot. Although in today's decompressed era it's a little nice to actually move the plot ,so it's not all bad. My biggest concern with this book is that with it's frequent schedule (every other week for this one and Hickman's  New Avengers will also run every other week so that Avengers will essentially be weekly) they are going to need to change artist for every story arc. Marvel will have other top artists working, but I wonder if it will hurt the consistency of the overall tone.


I wasn't much looking forward to this until I flipped through it. Steve Dillon is another top notch artist great with facial expressions, especially when said faces have bullets running through them. And although I find the Punisher to be one of the most boring popular characters Marvel has, there have been three runs in the past decade or so that I really loved. two of them were drawn by Steve Dillon (with scripts by Ennis and Aaron. In case you were wondering, the third run was Remender's).

Unfortunately the script was lacking. There was very little substance and I felt the humor fell flat (although that's more subjective). They wasted the entire first issue with a team recruiting story. The story focuses around Ross and the Punisher. The other vignettes where the other characters are recruited seems unnecessary and forced in just to remind readers that these characters are on the team (which the cover conveys perfectly).




This series has slowed down a lot since the first issue. The second issue was spent entirely with Wolverine's team and the original X-Men while this issue focuses on Cyclops's team. That's not necessarily a bad thing. I can enjoy a nice slow build (especially when we've already had three issues in the past four weeks it's not that long of a wait at all). The two plots converge at the end of this issue. Let's hope the payoff is big when we get to the next one.













Maybe not as funny as two, but still has a lot of laughs. This is the first Marvel Now book that's officially made my list.

A Whole Nother New World

Before starting each individual review this week, I'd first like to mention how spectacular the art is in these particular issues. The scripts were great. Don't get me wrong. But the artist have incalculably elevated these comicbooks. This is the industry's top talent.

And before I start this Hulk review, I'm going to tell an unrelated anecdote that I will forever associate with artist Lenil Yu:

Somewhere around a decade ago, I was hanging around in a comic store that I frequented. A stranger walked in, and we got to discussing comicbooks. We started discussing artists. I mentioned some artist that I liked and he replied, "I like Yu." After a few uncomfortable seconds of  silence he followed up with, "He draws Wolverine." When everyone realized what he meant, we all had a good laugh.

So now to the debut issue of Indestructible Hulk. The Hulk is easily my all-time favorite comicbook character. That being said, it's been nine years since I've bought more than three consecutive issues to any Hulk series. I like that they've tried a lot of different things throughout the years. I just haven't liked anything they've done. I always feel he's best when written to embody Frankenstein and the Wolfman. This comic unfortunately is not that. Fortunately though, it's really good.

The tone of this book seems to take its ques from the Avengers movie. (Which makes me realize that I've never mentioned on this site. I'll have to do something about that.) Mark Waid presents Banner as a genius who treats the Hulk as a condition or handicap to be dealt with. It's a lot lighter than recent years, and looks like it could be a lot of fun action without sacrificing characters and plot. A lot happens in these 20 pages.

And while I have been complaining about decompression and the 20-page format, a lot happens in this book. It goes from the '30s to present day to Dimension Z. John Romita Jr is one of my absolute favorite artists who often works with writes who I really dislike. Rick Remender has worked on some really stellar books and this one's no exception. It's got a very Fear Agent meets Kirby feel to it. If I were to recommend just one Marvel Now book, it's this one.

Deadpool continues to be very funny.

A Whole Nother New World

So now we're really in the thick of the Marvel Now relaunch, and this is the comic that really made me give these new Marvel books a second thought. I'm a pretty big fan of Brian Posehn's standup, and was actually a huge fan of Joe Kelley's run on the original Deadpool series. That being said, the only Deadpool issue I have read in the 13 years since he's left the series was the first issue of Daniel Way's run.

This is a pretty good start. Not hysterical, but I did laugh a few times. Like I mentioned, I haven't read any Deadpool in a while, but the premise and humor seems a little different: SHIELD is using Deadpool as an agent for the messy jobs that would garner bad publicity (which does exist) for the Avengers.

Although the script is good, what really sells it for me is Tony Moore's art. His facial expressions really bring it home. The most memorable part is a detailed two-page splash consisting of partying zombie presidents. My biggest concern with this title is that Moore cannot keep a monthly schedule let alone the twice monthly schedule that Marvel's pushing. I hope the book can sustain quality for the issues he's not drawing. On the optimistic side, Walking Dead has continued to be great throughout the 97 since he left.

Next is Iron Man which I enjoyed. The plot was solid. The characterization was spot on. The art looked great. The only thing this book was lacking is a uniqueness. It's a perfect book in the post Iron Man film Marvel universe, but really didn't seem all that different from what I've read of Fraction's or Ellis's runs. The only thing that really seems all that new is the armor's color. There is room for plenty of interesting directions to play out in the arc, but after a single issue, it seems to be a bit generic.

Happy Ending

"That's a lot of [fucking] ghost riders." -Johnny Blaze

A couple of years back, Jason Aaron took over Ghost Rider and probably gave the character the best two years he's ever seen. Despite being one of the coolest characters ever designed, Ghost Rider has a pretty mediocre bibliography.

Aaron had a very unique take on Ghost Rider. Combining elements from exploitation movies gave the book more of Roger Corman or Russ Meyer feeling than that of a typical superhero comic. He took wild, over the top characters and scenarios (such as nuns with guns) and played it totally straight.

Now, let's talk about the pinnacle of the run, Ghost Rider 34. This is not only one of my favorite comics that I bought last year, but one of the best single-issues stories I've ever read. It seems that Tony Moore was born to draw Ghost Rider. This issue contains the coolest (Ketch) Ghost Rider transformation ever drawn. Its a shame that he only did three issues. This is a really cool highway killer/ghost story that brought the return of the Highwayman. A ghost trucker from the 80's book, US-1.

After the Tony Moore issues, I think in order to boost sales, Marvel canceled Ghost Rider to culminate Aaron's story in a miniseries. Entitled Ghost Riders: Heaven's on Fire, it featured both Ghost Riders in the lead, just about every character Aaron used since beginning his run, and just about every Marvel supernatural Marvel character you can think of. With this, it elevated from over the top to (I guess) over over the top.

I'm really sad to see it go, but it was a great run that played out until the end. I can't recommend it enough. If you missed it, check out:

Ghost Rider 20-35
Ghost Riders: Heaven's on Fire 1-6

or (in trade form)
Ghost Rider: Hell Bent and Heaven Bound
Ghost Rider: The Last Stand
Ghost Rider: Trials and Tribulations
Ghost Riders: Heaven's on Fire