Against my Better Judgement

This is an idea for a new column that I mentioned yesterday. I buy a lot of comics. Many times I'll leave the comic shop with more titles than I originally intended on buying. Sometimes I end up picking up something great, and that makes everything totally worth it. Many times I buy a lot of crap books. This column is going to focus on the latter. And instead of just being a Negative Nancy, I'll offer up some suggestions. So here are some comicbooks that I bought against my better judgement:

Since most of those Marvel books I've recently reviewed can fit under this category, I'll start with Thanos Rising.

I gave this the benefit of the doubt because of Jason Aaron and Simone Bianchi, and I'm a huge fan of space operas.

This went against my better judgement because this is a retconning of Thanos's origin, and just like the other space opera characters that I love, Marvel is focusing on Thanos as a sad teenager. Although this has a much stronger script than Nova or Guardians of the Galaxy, I don't want to see the badass characters that I love as sad teenagers. And Marvel knows this. Look at the cover over to your left. It features a badass adult Thanos with what I assume to be alien blood all over his face and not some crying teenager.

What you should buy instead is Stormwatch 19. This is the first issue written by Jim Starlin, who is the reason that we all love Thanos in the first place. No interior art, but Starlin is also providing covers. This issue features a brand new Stormwatch team which has the Weird on its roster.

Harbinger Wars 1

I gave this the benefit of the doubt because I've enjoyed the Valiant relaunch so far, and because Harbinger has been one of my favorite new Valiant titles. I was really hoping that this was good and that I didn't have to give it up. 

This went against my better judgement because Bloodshot is the only new Valiant book that I really didn't like, and crossovers are always a mess. I'm either supposed to buy three books instead of one for four months or buy one book and not really get the whole story. Companies always say the stories are self-contained, but have you ever known that to be true? And even when the stories start off well, I'm always tired of them by the end.

What you should buy instead is Hulk 6. Walt fucking Simonson drawing the Hulk pounding on Frost Giants with Mjolnir. 'Nuff said.

A Whole Nother New World

I actually liked all four comics this week. As much as I love Brian Posehn, the creative team that I was most excited for in all the relaunched books is Aaron and Ribic.How can this not be badass?

I haven't read a lot of Thor recently but this series seems to be a pretty big departure. It doesn't take place on Midgard at all and there is absolutely no tights and cape stuff here. It solely revolves around the mythical aspects of the gods (I guess kind of sci-fi since there are different worlds).

There are three concurrent stories united by the same antagonist. One story taking place hundreds of years ago, one in the present, and one millennia in the future, in what appears to be Thor's final battle.

My only problem was that three stories is a lot to fit in what is now only 20 pages of comic. It doesn't leave a lot of room. Other than that, this was a really cool start.






This was my least favorite book this week. Not that it's bad. But going back to my 20 page point from earlier this seems like all appetizer and no meat. It vaguely establishes what the book is about, but spends most of the time individually introducing and establishing each character. It's something many writers do on their first issue and it always seems redundant. I know this is a number one, but it's not like there was even a month since the last issue. And there have been 600+ issues, two movies, and a few cartoon shows about the Fantastic Four. Nearly (if not) everyone reading this has at least a vague understanding of these characters. It also seems to be a direct continuation from Jonathan Hickman's run.

All in all, this was a decent (albeit slow-paced) issue with really good Mark Bagley art. Since this is tying pretty closely with FF hopefully that premiere will pick up the pace a bit. Otherwise we won't have a story until three issues into the run.

This was the biggest surprise for me. I was a long-time reader of Bendis's Avengers run since the beginning eight years ago. I loved it for a long time, but he's been spinning his wheels for a while now. I dropped it last year and figured that I was just Bendised out. That coupled with the seemingly dumb premise of bringing the original X-Men to modern times, I thought this was going to be awful.

I guess Bendis just needed a change-up because this is a really fun read. It's been my favorite new Marvel book so far. The time-travel aspect was only touched upon towards the end, but it seems like it can be used in some really fun ways. I know time travel never makes sense but it's a cool concept and some of my favorite stories of all time involve it.

This also seems to really move the X-Men along dealing Cyclops's role post-AVX. There are also new characters being introduced now that the "no more mutants" quo is over. Hopefully we get some cool young characters that stick around and are not just a plot device for this one story.

 I've actually haven't read this series since the name changed to Legacy, but I'm pretty sure this is also a pretty big departure since the previous series. Mostly because this isn't about the X-Men. It's about Prof X's son Legion. However I don't blame Marvel's decision for keeping the title. A book titled Legion would probably only sell about a dozen copies.

This is a good starter issue based mainly around character development. Unlike Fantastic Four this is a way way way more obscure character that many people have probably never even heard of. It sets up Legion pretty well and gives glimpses of some weird mutant prison camp.

A Whole Nother New World

Marvel (who's used to being on top) has been having a little trouble keeping up with DC this past year since their line-wide relaunch. They do have a plan though. So first let me recap.

While DC lowered the page count to drop prices a dollar, Marvel followed. Only they just dropped the page count and left prices. They know that comic fans will complain about anything but will never stop buying.

Next thing, they cancelled any books that weren't Avengers, X-Men, or Spider-Man related. And all minis. Some got cancelled before they were finished, and some solicited books were cancelled before an issue came out. Then they started double-shipping most of their top selling books. 

Next is the big one. They needed a blockbuster. So they really brought out the think-tank for this one. I'm sure the meeting went something like this: 

What sells big? Crossovers. What do comic fans love? Superheroes fighting each other. Who are biggest superheroes? Avengers and X-Men. What do we call it? Avengers Vs X-Men. Brilliant. We'll double-ship it and it'll end in a line-wide relaunch.

And they promise that it's a relaunch and not a reboot whatever that means. And it's a slow relaunch. They say over twenty titles in four months. Marvel pretty much always relaunches titles, sometimes there's not even a change in creative team. So really what's the big deal with that?

While DC expanded their universe and tried to bring diversity (They gave some fringe books a chance. Some caught on. Some didn't.), Marvel's essentially playing musical chairs with their top books and top talent.

And that's not entirely a bad thing. People were pretty skeptical about DC's relaunch, but I think after its debut most people would agree that they're putting out a lot of quality stuff. A year ago I was buying no DC books, now I buy seven monthly titles. Right now I buy no Marvel books. Maybe they'll put something out worth buying. A lot of them seem interesting. They have only announced about half of the new titles so far, but as of now these are the ones I'm looking forward to:

Thor
Jason Aaron on Thor. If you don't realize how badass Jason Aaron is, perhaps you should look at this beard:

Hulk
I've loved the Hulk since I was a wee lad and he scared me on the TV lookee box. Although it's been nine years since I've read more than three consecutive issues, I always check it out whenever there's a writer change. Besides I bought Hulk #1 last year, I bought Hulk #1 in 2008, and I bought Hulk #1 in 1999.

Deadpool
Brian Posehn writing any comic and I'm there. Deadpool should be particularly awesome.

Book of the Week

2-10-10

First off, I'm going to say something that a lot of people don't agree with, and that's The Punisher is a garbage character. He's a psychopath with a lot of guns. I don't get his appeal. I think I'm the only person in the world who didn't like Garth Ennis' Max run (I did very much enjoy his Marvel Knights run, which is hilarious).

That being said, recent months have seemed like a bit of a time warp, being that three of my favorite monthly comics are two Punishers and a Ghost Rider. Well, Ghost Rider just ended. Maybe I'll make my way back to 2010. Although, the way the two Punisher books are going, maybe not.

When I do enjoy The Punisher, I tend to enjoy stories that aren't necessarily realistic or gritty. I watched a lot of Steven Segal movies in my youth and the avenge-family's-death story just seems a little played out to me. However, what I don't tire of is violence, and Punishermax (even the title is barely mediocre) does not fall short in that aspect.

Also, the story is told from the criminals' perspective. The Punisher just kind of shows up like Jason Vorhees every now and again, takes an almost inhuman beating, and offs a bunch of gangsters. There's really more of a pathos with the criminals. Its odd, but I find myself wanting to see the Punisher get killed.

It looks like this series will be about taking classic Marvel villains and rebooting them in the Max universe. This first arc is about the Kingpin and up next is Bullseye. A new character called The Mennonite makes his debut. Oh. And I almost forgot to mention the creative team. It's written by Jason Aaron, drawn by veteran Punisher artist, Steve Dillon, and has these really cool unique covers by Dave Johnson. Check it out.

Happy Ending

"That's a lot of [fucking] ghost riders." -Johnny Blaze

A couple of years back, Jason Aaron took over Ghost Rider and probably gave the character the best two years he's ever seen. Despite being one of the coolest characters ever designed, Ghost Rider has a pretty mediocre bibliography.

Aaron had a very unique take on Ghost Rider. Combining elements from exploitation movies gave the book more of Roger Corman or Russ Meyer feeling than that of a typical superhero comic. He took wild, over the top characters and scenarios (such as nuns with guns) and played it totally straight.

Now, let's talk about the pinnacle of the run, Ghost Rider 34. This is not only one of my favorite comics that I bought last year, but one of the best single-issues stories I've ever read. It seems that Tony Moore was born to draw Ghost Rider. This issue contains the coolest (Ketch) Ghost Rider transformation ever drawn. Its a shame that he only did three issues. This is a really cool highway killer/ghost story that brought the return of the Highwayman. A ghost trucker from the 80's book, US-1.

After the Tony Moore issues, I think in order to boost sales, Marvel canceled Ghost Rider to culminate Aaron's story in a miniseries. Entitled Ghost Riders: Heaven's on Fire, it featured both Ghost Riders in the lead, just about every character Aaron used since beginning his run, and just about every Marvel supernatural Marvel character you can think of. With this, it elevated from over the top to (I guess) over over the top.

I'm really sad to see it go, but it was a great run that played out until the end. I can't recommend it enough. If you missed it, check out:

Ghost Rider 20-35
Ghost Riders: Heaven's on Fire 1-6

or (in trade form)
Ghost Rider: Hell Bent and Heaven Bound
Ghost Rider: The Last Stand
Ghost Rider: Trials and Tribulations
Ghost Riders: Heaven's on Fire